The Law of Moses by Amy Harmon

The Law of Moses by Amy Harmon

Author:Amy Harmon [Harmon, Amy]
Language: eng
Format: epub
Tags: Romance
ISBN: 9781502830821
Amazon: 1502830825
Publisher: CreateSpace Independent Publishing Platform
Published: 2014-11-17T16:00:00+00:00


Moses

BUT APPARENTLY ELI COULD FLOAT. That was his name. I saw it, written in wriggling, poorly-formed letters on a light-colored surface. EL i

Eli wasn’t swallowed up in the waters I called down. He came back. Again. And then again. I even tried to take a trip, as if that had ever worked. Here, there, half-way across the world, there’s no escaping yourself . . . or the dead, Tag reminded me when I complained, throwing my duffle in the back of my truck. The truck was new and smelled of leather and made me want to drive and drive and never stop. I rode with open windows and pounding music to reinforce my walls. But as I headed toward the Salt Flats west of the valley, Eli appeared in the middle of the road, his little black cape blowing in the wind as if he were truly standing there, a forlorn little bat boy in the middle of an empty highway. I ended up turning around and going home, seething at the intrusion, wondering how in the hell he was finding all my cracks.

He showed me a book with a worn cover and dog eared pages, a woman’s voice faint and muffled, speaking the words to the story as Eli turned the pages. Eli sat in her lap, his head pressed up to her chest, and I could feel her wrapped around him, as if I sat there too, in the well created by her crisscrossed legs. He showed me the horse, Calico, and the image of jean-clad legs walking past the table as if he sat beneath it in his own little fort. Random things that meant nothing to me and everything to him.

When he woke me at three a.m. with dreamy images of sunsets and horse rides, seated in front of a woman whose hair tickled his cheeks when he turned his face, I tossed back my covers and began to paint. I worked frantically, desperate to be rid of the child that wouldn’t let me be. The picture in my head was one of my own making. Eli hadn’t put it there, but I could see how they must have looked, the fair mother with her dark-headed son, his head tucked against her chest, seated in front of her on the horse with all the colors. The pair on the horse were moving away, moving toward the sunset spilling over the hills, the colors rich yet blurred, reminiscent of Monet, looking at beauty through a pane of wavy glass, discernable yet elusive. It was my way of keeping the viewer at a distance, allowing them to appreciate without intruding, observe without being a part. It reminded me of the way I’d come to see the dead and the images they shared with me. It was the way I coped. It was the way I kept myself intact.

When I was finished, I stepped back and dropped my hands. My shirt and jeans were splattered with paint, my shoulders impossibly tight, and my hands aching.



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